Ari Weinzweig was born in 1956 in Chicago, Illinois. He is a co-founder of Zingerman’s, a gourmet food business group in Ann Arbor, Michigan, comprising eateries such as Zingerman’s Delicatessen, Miss Kim, and Zingerman’s Bake House.
Born in Chicago, Illinois, in 1965, Dread Scott would become an artist whose work would ignite national outrage, reach the Supreme Court, and redefine the limits of political art in America. He attended the School of the Art Institute of Chicago and works in a variety of media—including performance, photography, painting, and printmaking.
Janeil Engelstad was born in Seattle, Washington, in 1961. She has an MFA in photography from New York University and the International Center of Photography’s dual program. Her work spans different media and is focused upon making “a generative and positive contribution to people and the planet.”
Mark Seliger was born in Amarillo, Texas, in 1959. He is an acclaimed photographer, most recognized for his portraiture, and was the chief photographer for Rolling Stone from 1992 to 2002. Afterwards, he worked at GQ and Vanity Fair until 2012.
Jody Quon, born in Montreal, Canada, in 1966, studied art and fashion at the Rhode Island School of Design before transitioning to the worlds of photography and journalism. She began at The New York Times Magazine as a photo researcher and became Deputy Photo Editor, working under their renowned photography director, Kathy Ryan.
Isis Davis-Marks is a multidisciplinary artist born in Harlem, New York, in 1997. At Yale College, she studied philosophy and visual art. Her work spans the disciplines of writing, painting, and fiber arts, focused upon investigating manifestations of love and…
“If I were mayor,” Mamdani promised, “halal would be eight bucks again.”
The lights are off. You are cuddled under your favorite blanket, and the brilliant glow from your laptop screen illuminates your dimly lit room. Your heart rate quickens and your eyes stay fastened to the scene as you watch the protagonist run through the woods—gasping for air as her flashlight struggles to emit a splinter of light. Yet, something about the movie feels more than mere fiction. Horror is more than vampire and voodoo; it is often regarded as political.
